ArtSpace invite you to come down to the Outwoods between 2nd june and 24th July to discover the 70 tree people lining the 1¼ mile woodland trail, encounter willow bees and dragonflies, the Queen’s horse, ceramic birds and giant woodlice … and much more. The trail will celebrate biodiversity and explore concerns about habitat loss and the climate emergency. We are also celebrating the Queen’s Platinum Jubilee and the 70 years of the Queens guardianship of the people and lands of the UK as part of our project theme ‘Harmony and Healing for Planet and People’ .
The trail is open to all, dawn to dusk, and entry is free.
Come along and make your own willow dragonfly at these free workshops in the crook barn next to the main Outwoods car park 2pm-4pm on the afternoons of the 2nd, 3rd, 4th and 5th of June. All materials provided. Suitable for all levels. Booking essential, see below.
‘Trailing Words’: a creative writing workshop – Saturday 25th June 2 – 4 pm. Be inspired by the art on the trail! Creative writing workshop with artist and prize-winning author, Mary Byrne. Suitable for all levels 13 yrs plus. You will need to bring paper or notebook, pen and something to lean on.e.g. a clipboard, and a folding chair will be very useful. Booking essential, see below.
Make Flags of Hope : 11 am -4 pm Sunday 26th June : make textile flags and messages to add to the ‘message in a bottle’ sculpture by Nita Rao in the heart of the woodland trail. Drop-in workshop – no need to book – just turn up and get creative!
To book your place please email me at email@example.com or call/text 07786 857530. Let us know how many adults and children you want to book in and for which sessions. Thank you.
The Into the Outwoods Sculpture Trail 2022 will open on 2nd June to mark the Platinum Jubilee and help celebrate 70 years of the Queen’s guardianship of the people and lands of the UK.
So ArtSpace invite you to come down to the Outwoods between 2nd june and 24th July to discover the 70 tree people lining the 11⁄4 mile woodland trail, encounter willow bees and dragonflies, the Queen’s horse, ceramic birds and giant woodlice … and much more. The trail will celebrate biodiversity and explore concerns about habitat loss and the climate emergency.
Success with Platinum Jubilee funding from the ‘Let’s Create’ Arts Council scheme means a more substantial trail with more artwork and free willow workshops on the afternoons of the 2nd, 3rd, 4th and 5th of June, to coincide with other jubilee celebrations. So come along and make your own willow dragonfly at these free workshops (booking via the ArtSpace website essential).
The National Forest have also stepped up to help make this happen by awarding an ‘Arts Grant’ to fund some of the artist’s commissions. They are also funding a public workshop in the woods, free to participants, making ‘flags of hope’ to add to the ‘message in a bottle’ sculpture. This will be a drop-in workshop, so just turn up and get creative. Dates will be posted on the ArtSpace website.
In addition, the public have generously contributed to a ‘just giving’ page to fund more Sculpture commissions. This means the trail will have more than 25 works and co-created sculpture.
A fundraising exhibition to support refugee families from Ukraine.
1st May – 30 June 2022.
All proceeds from this online exhibition of artwork by members of ArtSpace will be donated to the Disasters Emergency Committee (DEC ) to help support refugee families from Ukraine. All artwork is priced at £100 or less. This is a rare opportunity to purchase quality artwork at very reasonable prices. If you wish to make a purchase and help refugees email firstname.lastname@example.org.
We are very pleased to announce that ArtSpace have been successful with funding bids to Leicestershire County Council’s Shire Grants and The National Forest’s Arts Grants for the 2022 Outwoods Sculture Trail.
Into The Outwoods Sculpture Trail 2022 is based on the theme ‘Harmony and Healing for Planet and People’. Much of the sculpture will directly reference issues of climate change, sustainability and ecology. Through these trail works, and the outreach workshop programme, we aim to raise awareness of the climate emergency and encourage people to think about our place in the natural world.
The Shire Grant funding will enable us to work with local schools and vulnerable groups to co-create work for the woodland trail. Mapelwell Hall School, Cobden School, Glebe House, the Wellbeing Café, and Albert Street Artists are all taking part. We aim to provide a vehicle for creative practice to help improve mental health and well being for the participants.
Funding from The National Forest Arts Grants will enable us to commission inspiring work for the trail, work with an additional school and run drop-in workshops for the public.
The sculpture trail will encourage people from different backgrounds to come together, be and walk in nature, engage in the creative arts and learn new skills participating in workshops. These are all well proven ways to improve and develop relationships between participants as well as supporting improved mental health and emotional well-being.
We want to encourage people to visit the natural woodland environment and create a meaningful experience for them there so that they look on the woodland as a sanctuary in difficult times, enhancing a sense of place and where, through art, we can all make connections with our social and environmental context, with other people and with the natural world.
Into The Outwoods 2022 Sculpture Trail will be open from June 2nd to July 24th. It is free and open to all, dawn to dusk, at The Outwoods near Loughborough.
Two members of ArtSpace are currently in an exhibition at Charnwood Museum, Loughborough. Judith Eason and Mary Byrne are also members of The Association of Leicestershire Artists. The Association – a small group formed after the artists graduated from Loughborough and De Montfort Universities – is exhibiting ‘A Sense of Place’ from 12th March to 5th June.
The ‘place’ referred to in the title is Charnwood. Artists were inspired by the Charnwood landscape and by items in the Leicestershire Museum Collections, some of which are on display with the artworks. There are paintings, drawings, collage, digital works and sketchbooks.
Glen Heath and Vivien Blackburn focus on nature in Charnwood. Vivien uses many different media, including digital art, to explore light and pattern in the landscape. Glen’s interest is chiefly in the damage that man has done to nature and the repercussions. She’s also interested in myths associated with the countryside.
Judith has landscape drawings too but also paintings based on medieval tiles in the Museum Collections. She was fascinated by the symbolism and surface texture. Sue Graham is interested in the fossils in the Collection but also rocks in the present landscape and how time erodes and changes them.
Christine Johnson-Hume has paintings and sketches of Bradgate House which evoked thoughts of the young Lady Jane Grey before her future fate.
With a focus more on people, Ros Kite is fascinated by the colours and patterns in the Leicestershire Museum dress collection. (There is also an original 1850s dress on display!) Mary has paintings and drawings inspired by a 1920s photo archive of women workers at a Loughborough perfume factory. The women are surprisingly individual and ‘modern’ looking.
There is something for everyone to see. And a café too!
The Museum (Granby Street) is open Wednesday-Saturday 10am-3pm. After 15th April, it’s open Tuesday-Saturday 10am-4pm and Sunday 1-4pm.
There is a ‘Meet the Artists’ session on Saturday 2nd April 1-3 pm.
ArtSpace have spent many hours developing plans and submitting funding applications to Arts Council England and Charnwood Borough Council for an Outwoods Sculpture Trail in 2022. Unfortunately we have not been successful with these core funding applications. We have, however, secured a Leicestershire County Council ‘Shire Grant’ of £5000 to run a series of creative workshops with Mapelwell Hall School, Glebe House and Cobden Primary School to co-create three or four woodland installations for the trail.
We are now launching a ‘justgiving’ crowdfunding page in the hope of raising some funds to offer modest commissions to a number of local artists to produce and install work for the trail and create a more substantial experience for the people of Charnwood and Leicestershire.
The proposed theme, ‘Harmony and Healing for Planet and People’, aims to promote personal and community well-being and increase awareness of environmental sustainability and draw links between the two.
Please help us make these plans become a reality . Any donation, however small, will be very helpful and appreciated. All funds raised will be used to build a bigger and better Outwoods trail.
One of the most valued members of ArtSpace Loughborough, Chris English, sadly passed away in April 2021.
The courage and determination that Chris showed in life, particularly in the face of his continuing health problems, was an inspiration to us all. His passion for painting and poetry was a gift to us all.
We are pleased to post a small tribute to Chris here on our website where Chris will be our featured artist for the next few months.
This exhibition is now closed. Please watch our archive virtual tour video.
Originally on-line 31 May to 3 November 2021.
ArtSpace present ‘Blue’, an interactive on-line exhibition. Members offer individual interpretations of the theme. The exhibits range from paintings and mixed media to photography, collage and prints. Much of the work is for sale. Enquiries are welcomed via individual artist’s emails, if given, or via the group email email@example.com.
A Journey of Discovery
Painter, ceramisist, teacher, traveller. Quorn artist, Erica Middleton, uses all her experiences and sensibilities to take viewers of her work on a fascinating journey of discovery as Kevan Porter has been finding out…
Erica’s broad aim as an artist is to make work which touches people’s sensibilities. She would
like her painting and ceramics to resonate with similarly minded people on an emotional level. Her recent work falls into various styles and media.
Regarding her semi-abstract paintings, Erica’s abiding subject over recent years is the river – she and her family have lived with the Soar running at the bottom of their garden for thirty two years. Rather than setting out to depict pictorial conventions, Erica seeks to express a meld of observation and emotional response. The mode of semi-abstract has the potential to communicate on a number of levels simultaneously, for example the personalised surface qualities achieved by
Erica by making her own paint from genuine pigments.
Riverine ceramic sculptural forms evoke watery moving environments through wavering edges and transparent glazes.
Occasionally Erica’s abstract paintings are politically motivated; they follow her
various travels in Europe. Es tut mir weh (meaning ‘it hurts’, but literally: ‘it does to me hurt’) explores the former East Berlin through the metaphor of the running drip. The drips reference the great lament (all the crying associated with the Berlin Wall), dark times, familial ties (some broken, some tightly knotted), cross-references, veins – the life blood, the nervous system, anxiety, the sinister, the reaching out, the map of roads surrounding Berlin on which the captured were driven prior to interrogation, veils of darkness and the overall tangled web of truth and untruth.
Erica has travelled (and taught art history to a group of doctors for thirteen consecutive years) quite extensively within Europe. She has also travelled in and around Dubai where her daughter lived for six years.
Wherever she travels, within her handbag are a very small sketchbook and watercolours. Sketches done on-site sometimes evolve into studio paintings. Erica’s Arabic pots aim to
speak ‘desert’ – evoking something of the harsh arid landscape around Dubai with elegant Arabic calligraphic script. The texture evokes sand and scrubby desert.
Recently Erica has been experimenting making her own glazes from local materials including granite dust from Redlands Quarry and wood ash from prunings in the garden which have been burnt in the stove. “It is very satisfying to create your very own personalised glazes” she says. Erica’s symbolic still lives use small scale, old, domestic objects. Although specific to Erica’s family, they aim to address our collective past – evocations from another time which bind us together. Gold and silver leaf denote the value of generational links, enhancing these modest objects.
Erica’s working life is spent teaching art / art history. Erica taught undergraduates Art History for the Open University for fourteen years. She now teaches Painting and Drawing courses for the Worker’s Educational Association in Loughborough and organises student exhibitions. Erica also teaches practical workshops and art history seminars privately in small groups. She has exhibited in Venice, London and numerous exhibitions locally including Stamford, Leicester, Hinckley Nottingham, Derby and Loughborough. Her qualifications include a Master’s Degree in Art History at Nottingham University, B.A. (Hons) Fine Art: Painting at Loughborough University School and Certificate of Education at Reading University
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